Sunday 1 December 2019

My True Love At Christmas, a blog by Alan Ewing






My True Love At Christmas
by Alan Ewing






On the first day of Christmas, my true love said to me: "You can get that beard shaved off to begin with!"

On the second day of Christmas, my true love said to me: "Oi! You give more attention to Facebook than you do to me!

On the third day of Christmas , my true love said to me:  “You can do the dishes”

On the fourth day of Christmas, my true love said to me: “What happened to my present?”

On the fifth day of Christmas, my true love love to me: ”No Christmas Cake in bed for you tonight!”

On the sixth day of Christmas, my true love said to me: ”I’m putting you out with the left-overs

On the seventh day of Christmas, my true love said to me: “I’m your Christmas Cracker!”

On the eight day of Christmas, my true love said to me:  “All booze bottles contents are measured”

On the ninth day of Christmas. My true love said to me:  “You pinched the last chocolate!”

On the tenth day of Christmas, my true love said to me:  “My word rules!”

On the eleventh day of Christmas, my true love said to me: "I guess that you deserve a kiss” 

 On the Twelfth day of Christmas, my true love said to me "You always hog the TV Remote!"



copyright dewyswriter 2019

Monday 25 November 2019

Starsky & Hutch, Charlie's Angels TV Series, 1970s Cars, a blog by Alan Ewing






Starsky & Hutch, Charlie's Angels TV Series, 1970s Cars

      a blog by Alan Ewing





"Starsky and Hutch" was an iconic American TV series in the UK during the 1970s. Set in LA, the show would propel David Soul and Paul Michael Glaser to the top of the TV Charts. David Soul would as a result have chart-topping hit records in the UK Top 40 with "Don't Give Up On Us Baby" and "Silver Lady." The first series, action-packed and full of gun shoot-outs would start out on Friday nights. As the series toned down and became more about friendship between the two policeman than it moved mainstream into Saturday Nights. The duo each had a car. Starsky had the legendary white-striped red Gran Torino. As a foil to this Hutch had his somewhat dilapidated Ford Galaxie which Starsky would tease him about.


















"Charlie's Angels" was another iconic American TV Series in the 1970s, again a huge hit in the UK. Farrah Fawcett (Majors) was a sensation, with the biggest selling poster of all time featuring her. She was ably supported by Kate Jackson and Jaclyn Smith in creating the glamorous aura that surrounded the show, with David Doyle (Bosley) providing the comic counterpoint, as the mysterious Charlie would never be seen, only heard through the telephone. In terms of cars then Farrah (Jill Munro) had a Ford Cobra Mustang II, Jaclyn (Kelly Garret) a Ford Mustang II while Kate (Sabrina Duncan) drove a Ford Pinto.































copyright dewyswriter 2019


Tuesday 5 November 2019

Double Dip, a lyric by Alan Ewing


Double Dip 
a lyric by Alan Ewing
So many promises, that you want to keep
So many dreams, that make every second deep
I am living in a world, that does not exist
And yet this feeling persists

Double Dip, there's nothing to lose
Double Dip, you lit the fuse
Double Dip, life takes a dive
Double Dip, now I must strive
Double Dip, my fortune in love
Double Dip, the same as above
Double Dip, to see you in pain
Double Dip, to need you again

So much distance, between your heart and mine
I could never reach you, though I'll never give up trying
You were locked up, just like a bird in a cage
I am torn by inner conflict, as I write on this page

Double Dip ...

Here I sit as I look out on the English fields
While my mind rides on the back of Uncle Sam's wheels
I can sense Norma Jean as she calls on the breeze
And says release my child from this prison please
I wander down the road and wonder where it leads
The years come and go at great speed, you brought
A flame to my heart - you were the one from the start

It's a Double Dip yeah!


copyright dewyswriter 2019

Thursday 31 October 2019

It's so political, a lyric by Alan Ewing








IT'S ALL POLITICAL
A lyric by Alan Ewing







It's so political
All so clinical
Can't say a word
Without being heard

Whatever happened to humanity
Amongst the insanity
Tell it from left or right
No sign of love in sight

It's so political ...

Here's the new manifesto
So quick hey presto!
All the answers in a flash
Next week it becomes trash

It's so political ...

All that's needed is a vote
So you can float my boat
Take a chance on a view
Maybe try something new

It's all political ...

Notes: So political...analytical .. for middle section with cheering crowds


copyright dewyswriter2019



Tuesday 30 July 2019

Church Bells, by Alan Ewing







CHURCH BELLS
by Alan Ewing




"The Pyramid", the first thing I see when stepping out of the front door on to the top floor landing. This is being restored. Next door to me, it is a modernist RC Church. No Bells allowed. Well if it had been possible to have them, then nothing would have given me greater joy than to hear something along this line of Le Campane di Baruccana Fraz. di Seveso with a similar design. (MB)




It's sad that Sunday is losing them. They always bring such a sense of peace, something away from the other six days of politics, greed, war, hunger, extreme poverty all over the world. And enable us to remember The Creator. They give renewal, perspective, contemplation and meditation. You could be in a field or even in bed hearing them: there is no condition to join a club. God is where you are. They give us spiritual strength to fight for social and economic justice as we step back into Monday. To lose them is to lose our very souls themselves. Be refreshed in hearing them here, if you wish. Remember to keep a spark of God in your heart; that way you won't get lost in the whirlpool of hatred that threatens to overcome The One who said "Love One Another" - There is only One Messiah, who comes from God. So Blessings & Love, and True Peace is my prayer for us all. 

Monday 15 July 2019

It's All Over (Not Out) a Cricket metaphor for a relationship lyric by Alan Ewing









IT"S ALL OVER (NOT OUT)
A cricket metaphor for a relationship
by Alan Ewing



You played the game of the spinning bowler
I knew how to respond with each Over
I hit some fours and scored some single runs
Playing batsman to your bowler was such fun

Leg Before Wicket was how you played your game
The purest oak bat could never hide your shame
My feeling was good as I caught you out
The sound of "Howzat" resounding with a shout

The stuff of your second innings went through the air
It was then a simple decision for me to declare
So I finished the Test match with a flourish and warm stout
And it was really very English to say "I'm not out"

It felt so good on the winning Over, I felt like English Summer was nobler
I felt like walking all over clover, the second innings really did the trick


copyright dewyswriter 2019

Tuesday 2 July 2019

The Haunting Of Sharon Tate, Movie, 2019







The Haunting Of Sharon Tate, Movie, 2019






“The Haunting Of Sharon Tate” has caused a great deal of controversy and a massive backlash from critics since its release earlier this year. Her sister, Debra Tate, too, has slammed the film for its portrayal of premonitions that it portrays, that the actress was having in the days leading up to the her murder, and four of her friends on August, 9, 1969, by Charles Manson's followers.  The objections stem from brutal depictions of the murders themselves and an alternative reality plot twist at the end. This year marks 50 years since her murder. For background to the murders and the film production and cast, click on links in the Further Reference section at the bottom of this page.

On viewing the movie myself, I saw something completely different to what the majority of critics were lashing out at. The critical notices say that no premonitions took place and that no contact was made by Charles Manson leading up to the murders. And yet, it is well known that Manson had been delivering tapes of his musical recordings for Terry Melcher, who he believed was going to offer him a recording contract. This continued after Roman Polanski and Sharon Tate took over the property. There may also have been parties at the residence in which Manson followers were present prior to Sharon Tate, eight-and-a-half months pregnant, returning ahead of her husband. None of this can be confirmed one way or the other. We are left with the fact that nobody knew what was going on in the residence in the days leading up to the murders. There can be no doubt that Manson was obsessed with the house and believed that havoc had to be brought upon it, due to his sense of failure as a musician, and his condition of psychopathic schizophrenia. 

It is not the purpose of this blog to give away too much for those that have not seen the film.  Suffice to say that themes of fate are strong in the film, along with Sharon’s earlier interviews in which she claimed to have foreseen her own or a friend’s death in a dream years earlier. The ending to the film sets out an alternative reality vision of the heinous crime. 

In my interpretation, the movie wrestles attention away from Manson and takes Sharon Tate centre stage. It causes one to feel for her and feel emotional for what transpired. Quite obviously, one feels for her family too and due respect must be given to the horrific loss that her sister suffered and the circumstances surrounding it. The point at which creative art infringes on reality, as we know, it is up for debate. Shakespeare would often interpret historical events from another angle, though in those circumstances family members were not still alive. The film may suffer from being too close to the actual events, whereas, for instance, a 17th Century occurrence would have been less controversial. In the end, it is for the individual viewer to decide.




Alan Ewing, Cert HE, BA (Hons), MSc


© 2019


- God Rest the souls of Sharon and her companions - And Peace for her sister -






POSTSCRIPT: The regular “Helter Skelter” narrative put forward by the prosecution … has been challenged by Tom O'Neill…… in his Book “Chaos.” Infiltrations by FBI, even CIA into the doings of Charles Manson are put forward. . Manson was a felon who repeatedly broke his probation conditions and yet was never reeled in.  The 1960s were a time of liberal revolution with politicians such as Ronald Reagan in paranoia that it was a Communist take-over. Sharon Tate’s mother believed that Cielo Drive was under surveillance. Sharon’s car was not there as it was under repair and so mistakes may have been made. The theory being that the FBI were seeking to exploit dodgy drug deals that the other inhabitants of Cielo Drive were involved in..  Then they wished to play on Manson’s fear of The Black Panthers, a radical movement in the late 1960s. 



 

There are also indiscrepancies in the story of Terry Melcher (Doris Day’s son) who was the record producer who had offered Manson a possible way in to a recording contract. His ties with Dennis Wilson of The Beach Boys further lifted Manson’s hopes. This was not a one-off meeting though as Melcher would visit The Family, Manson’s entourage, and even did so after the murders.  Charles Manson would have known that Terry Melcher had moved, although there was a visit from a person to Cielo Drive attested by a witness and the person he was looking for was Melcher.   A further theory was that the murders were designed to clear an associate of Manson’s who had committed a like –minded murder, thus gaining his release as it appeared as though the murders were still on the rampage.

 

Overall, one thing is certainly clear. Sharon Tate was not a specific target. It was misfortune that the eight-month pregnant actress happens to be in the house on the night of the murders.  Whichever way the murders are seen, the horror of her pleading for her baby’s life and then calling out for her mother as she is ruthlessly knifed to death is the central manifestation of evil. There can be no understanding of those who felt no remorse, and no understanding of why back-door deals were being hitched with Sharon Tate’s murderer. The truth in all of this often turns out to be stranger than the narrative.





Monday 10 June 2019

Sad Day, a lyric by Alan Ewing








Sad Day
a lyric by Alan Ewing



Sad, sad sad day
When you went away
Wish there was another way
So you could have stayed

It seemed we'd always be together
The years and years like forever
Taking the times in our stride
Now those years have gone to hide

Sad, sad day ...

And in the end you'll pay the price
For losing love, not once, but twice
The arrow of love drives into you
And there ain't nothing you can do

Sad, sad day ...



copyright dewyswriter 2019








Thursday 6 June 2019

Chasing The Dragon Away, (a lyric for a lost friend in life), by Alan Ewing






CHASING THE DRAGON AWAY
(a lyric for a lost friend in life}

 by Alan Ewing
 
 

 

You never really wanted the help that I gave
Blank reversion to the pattern of your ways
I offered love and friendship as a basic cure
All that you wanted were the familiar days

You said you felt that you had lost yourself
Out of mind and body with highs
I tried to reach out and bring you back to yourself
Because when the hit goes then your heart dies

I tried all I could to bring you back to your soul
But the never ending addiction proved stronger
The years of slavery enhanced the dragon's goal
It came to a point where I could help no longer

And so I hope that all turns out well for you
That seeds of impression planted find a way
For sometimes we pass through, that's true
To hold a light that emerges on another day

I could have taken you on the stage to sing
I could have given you all and everything
I could have made your voice oh so loud
If only you had not gone back to the crowd





copyright dewyswriter 2019





Monday 4 March 2019

The SOS Tapes 1981: music by Alan Ewing & Friends






THE SOS TAPES 1981
music by Alan Ewing & Friends


The Masonic, Liverpool


Logging this blog as a nod to 1981-82. Together with friends Simon Blackwell and Paul Wright, The SOS Tapes were recorded. So-called because they were recorded at Square-One Studios in Liverpool. Three of the tracks have survived the annals of time. They are able to be heard using the click to play button under their titles. In 1982 the three of us were joined by Nigel Blackwell for a gig at The Masonic in Liverpool. The guys would go on to form Half Man Half Biscuit. I made an appearance on Channel 4 at towards the end of 1982.


Intellectual Mayhem
by Alan Ewing & Friends



Living & Dying
by Alan Ewing & Friends



Can't You See?
by Alan Ewing & Friends
Click To Play






copyright dewysumoz2019



Art Confusion 1987-89: music by Alan Ewing & Rob Johnson






ART CONFUSION 1987-89
music by Alan Ewing & Rob Johnson




In the late 1980s, I teamed up with my life-long friend Rob Johnson to form Art Confusion. We'd met at The Little Theatre in Birkenhead. We experimented with different musical forms although our mainstay was electro-pop. After initial recording, we went out and gigged extensively around The Wirral and Liverpool. The local press and local radio highlighted our work. The gig scene of the time meant that we could not break out to the next level of Manchester, London, Birmingham etc as the next rung of the gig ladder was in bottleneck at the time.





Using click to play, under the song titles, here is an EP's worth of some of the recordings that we did over that period of time.





Destination Venus EP 


copyright dewysumoz2019

Friday 1 March 2019

The Choice by Edith Eger, a perspective by Alan Ewing









THE CHOICE BY EDITH EGER
A perspective by Alan Ewing



"The Choice by Edith Eger is an autobiographical work which dove-tails into a psychological strategy for living life in a fulfilling manner, when haunted by the past. The past in Eher's case being Auschwitz, losing her mother and father there, then being forced to dance for the infamous Dr Mengele, and being subjected to treatment as part of a people treated like cattle. The horrors that she was witness to would be capable of damaging even the strongest mind and constitution of any human being.

In looking from personal perspective of the book, then her mother's words ring through. "Just remember that no-one can take away what you have put in your mind."  This on the awful journey to Auschwitz. In this motherly advice is planted a seed which grows and grows into Edith's life and fortifies her with deep strength. It would carry her through pneumonia, typhoid fever, pleurisy and a broken back. All of this on top of the hell on earth that she was in. From all of this came her great work as a therapist.

The thrust of the work is in facing up to whatever the horrors of the past may be and thus releasing oneself within the present. It is never a case of denying the past, rather of accepting it and learning to come to terms with it as life existentially belongs to the here and now. "I help people realise that the biggest prison is their mind" is how Dr Eger puts it. If we put up stumbling blocks to facing our past then we will never be free in the present. This is the epicentre of calm existence. 

Edith Eger's work is heavily influenced by fellow Auschwitz survivor Viktor Frankl', whose seminal work being "Man's Search For Meaning." Carl Rogers and his theories of self-actualisation always play a major role, as she was a student of his also. In this work though, it is Dr Eger's own therapeutic techniques that come through. Her empathy with her patients as she journeys into their unhappiness and the root causes of it. The book is a tremendous testament to the power of positive psychology.

Alan Ewing

Thursday 28 February 2019

United States Army Air Force WWII Memorial, Landican, Wirral, England, by Alan Ewing







UNITED STATES ARMY AIR FORCE MEMORIAL
Landican, Wirral, England


plaque

Gazing out from my balcony door I look across a field where part of the wreckage of a US Liberator B24 crashed in October 1944. The plane was lost control of in mid-air. The reasons for this, to this day, are unknown. 24 American Forces personnel died as a result of the crash. It was the largest disaster of its kind to happen on Merseyside. A memorial stone with plague marking the crash lies on the Durly Estate a few roads away, by the River Fender, a lost cousin of the  River Dee and River Mersey, unbeknown to most Wirral/Liverpool residents. The building in which I live is named after this river.


memorial stone


The commotion was seen by many Wirral witnesses, along Landican Lane, in nearby Oxton and Prenton. The craft was out of control and broke up in mid-air. Fires broke out and energy services were rallied to the scene. This was a night never to be forgotten by those Wirral residents that saw it, and the most dramatic incident that would ever take place alongside the stretch of the River Fender. A truly tragic event.

liberator B-24


The first time that I came across the memorial, I had no idea what it was. I approached and was taken aback about how little was ever broadcast about this unique World War II incident. I felt sadness that it lay within such a neglected corner. And so to mark its presence, I wished to post this blog, particularly for US friends that I have befriended online. I often think about these 24 young men, their hopes and aims for life as they sat on that transfer flight., and how this all came to an end in a field in Landican.



 God Rest their souls.




Alan Ewing 2019

Sunday 24 February 2019

William Dewy's Bedroom Band II: The Parting, a short story, with music by Alan Ewing






WILLIAM DEWY'S BEDROOM BAND II: THE PARTING
a short story by Alan Ewing





William Dewy's Bedroom Band Intro music

William Dewy sprung out of bed for the day's work ahead. It was apple picking season again. The night before had been a cider-house gig for his musical combo "William Dewy's Bedroom Band". There was friction with the other lead member of the band, who was beginning to take his own musical direction with rumours circulating within the countryside village in which they lived. Maisy Hopkins, the milkmaid, was sure that Aylon was going to leave the band and do his own gig. The night before had seen the performance begin with an academic number of sorts from Aylon. "Self-Actualisation (Within Artistic Creation)"

Self-Actualisation (Through Artistic Creation)
by William Dewy's Bedroom Band

Aylon had written it while on an away-day course from the village. Dewy felt that maybe the songwriting matter was becoming expansive and they needed to keep in with cider songs for the clientele of the cider houses. The second number of the evening, "The Maze", had seen Dewy and Aylon deploying visible friction as guitar and bass pitched with each other. Mil Thomkins, the baker, said that he had seen the duo throwing cider over each other backstage.

The Maze
by William Dewy's Bedroom Band

The next song was seen by many as a dig at Aylon's studying by Dewy.  Matthew Jenkins, the Farmer's hand, said that Dewy had told him that Aylon was turning into a studious recluse, and did not even join the band on their nights off these days. "You're In Your Room" came into the air of the gig, now the friction had become frosty. The rest of the band had started to pitch on flagons of cider as the gig wore on. Both Dewy and Aylon hooked a flagon a piece too.

You're In Your Room
by William Dewy's Bedroom Band

The effect of the cider seemed to bring the band back into focus as they swiftly moved on to "Second Wind." A few jokes circulated that wind was certainly going to play a part in the evening, which would have nothing to do with the weather. Mabel Hichins, the prime belle in town, began to dance surrounded by a group of vegetable pickers and merriment was in the air. Certainly, the tension was released as the evening wore on.

Second Wind
by William Dewy's Bedroom Band

For the last number Dewy stood up to the microphone to say that Aylon was leaving the band after that night to pursue his own route as had been rumoured. He continued that there were no hard feelings, and that the band would continue to play within the village; which Aylon was also leaving. Everybody lifted a flagon of cider and wished Aylon well, who then went on to introduce the last performance for the band with "A Sense Of Time (A Sense of Place)"

A Sense Of Time (A Sense Of Place)
by William Dewy's Bedroom Band

After that, the band signed off, as they had begun with their signature tune. the band would continue to play on in the village, while Aylon pursued his own path.

William Dewy's Bedroom Band Outro Music


copyright dewysumoz 2019

Sunday 17 February 2019

William Dewy's Bedroom Band, a short story, with music by Alan Ewing






WILLIAM DEWYS BEDROOM BAND
a short story with music by Alan Ewing


[Links to music under song titles]




William Dewy woke up. His head was in a daze due to the cider drinking the night before. The band were slouched around him looking like a heap of coals.  They had really lived it up playing at the party the night before, with the dance gig raging by midnight. It had certainly lived up to the name of the band, that being his Bedroom Band.  For William Dewy had been named by his parents after a character who appeared in many of Thomas Hardy's novels, who had a band which played church and party gigs. One morning they woke up and launched into a party piece; in their hangover dozing they had forgotten that they were actually in a church service!

The William Dewy of our story called his outfit, "William Dewy's Bedroom Band" in honour of that. They would launch their set with their signature tune:

William Dewy's Bedroom Band Intro



The band then launched into "Everything You Know", a song based on a crazy party conversion that Dewy had with a barmaid. She kept arguing that she knew everything that he did, while he contended that they both knew a bit of what each other knew. This had all started because she had said that she had nothing to do with her life and and so had nothing to say. Needless to say this abstract debate was fuelled with many glasses of cider.

Everything You Know 
by William Dewy's Bedroom Band



Further to this Dewy has written "All At Sea" with its central message of being true to what you believe in and getting back to your roots if you became adrift. The band played the number as further flagons of cider entered the pub. Two of the lasses in the bar started to dance and soon the whole room was in a dancing mood.
All At Sea 
by William Dewy's Bedroom Band

Click To Play



William Dewy was still in a hungover haze the next morning. The band had flagons around them for a cider cure, while Dewy noticed that he too had one. Much gulping took place and soon the band were in the mood to play. They launched into "Blew It Again" with the intention of stomping the room out and hiking up the dancing.

Blew It Again
by William Dewy's Bedroom Band

Upon finishing the song they were greeting by the gaping mouth of The Rector and his congregation. Dewy had forgotten that the band had finished the party gig and had opted in their drunken state to sleep over on the musical area in the church, as they had offered to perform a song there next day.. Dewy was astounded. He had managed to act out exactly what his namesake in Thomas Hardy's "Under The Greenwood Tree" novel had managed. Awkwardly, Dewy took to the microphone and explained that this had just been a soundcheck. The band then played "The Way" which was the intended song for the setting.

The Way
by William Dewy's Bedroom Band

Click To Play


After this the Rector and his congregation had beaming, smiling faces. William Dewy's Bedroom Band played their signature outro. Afterwards everybody shared tea and cake, and a few cups of cider ended up in the parish annals.

William Dewy's Bedroom Band Outro






copyright dewysumoz 2019






Thursday 14 February 2019

The Church Songs, Biblical-based self-written songs by Alan Ewing 1990-91






THE CHURCH SONGS
a blog by Alan Ewing
St Michaels Church, Pensby, Wirral


There are those days when you open a draw that you have not looked in for ages. You root around and then something jumps out at you.  In the subject of this blog, it was a set of songs discovered from over 40 years ago that drew my attention. These basic recordings were a memento of a time when I would write and perform self-written Biblically based songs within the Church of England. That being St Michaels Church, Pensby, to be precise.

The recordings were meant to sound "as live" in seeking to capture them as acts of worship. They were well received by the congregation, and also at St Marks Church, Saltney, in youth groups, which I took part in as a Parish Assistant. These were the days when ordination appeared to be my path in life. Though that never came to pass, the sheer honour and joy in writing these songs specifically for the church gave its own reward. For to perform and sing in The Lord's House is the greatest honour of all.


St Mark's Church, Saltney, Chester


The lyrics to the songs follow: by clicking on the links under the song titles, the recordings can be heard. By clicking back, on this blog tag, the words can be followed to the music.




THE FRUIT OF THE SPIRIT
by Alan Ewing
based on Gal 5;22 Rom 8;5

Click To Play

The fruit of the Spirit begins with love
The descending of the Spirit like a dove
The Spirit in us living, 
With the peace that God is giving
The fruit of the Spirit begins with love

The Spirit of life sets us free from sin
Taking us closer to Jesus and glory with him
The seal is on us with the Spirit in our hearts
Understand clearly that the future is ours

The fruit of the spirit begins with love ...

Lord set our minds on what the Spirit desires
As in the days of tongues of fire
Hallelujah Lord, we call on your name
Knowing that those who do will be saved

The fruit of the Spirit begins with love ...





THE SHEPHERD'S WARNING
by Alan Ewing
based upon Matthew 25: 31-46

Click To Play

When the Son of Man comes in His glory
All nations will tell their story
From each other the people he will separate
At the moment for which the angels wait

I am hungry - will you feed me
Or will you go away and leave me
I am a stranger - can I come in?
Or shall I go and come another day

All the ones who helped to ease the strife
They will be rewarded with eternal life
But those who neglected the needy
Will be cast down with all the greedy

I am hungry ...





THE DAY OF THE LORD
by Alan Ewing
based upon 2 Peter 3; 1-18

Click To Play

Let's seek out our peace with Him
He knows our hearts and the state they're in
The Day of The Lord will come like a thief
So let's speak out and show our belief

The Lord's patience means salvation
So make His House your habitation
Come rejoice in a new birth
With thoughts on the new Heaven and Earth

A thousand years are like a day
Listen to what the prophets say
A day is like a thousand years
Open your heart for The Lord is near

Aim for a holy and godly life
As you wait for The Lord to arrive
Be on your guard don't get carried away
But grow in Grace as you wait for The Day

To Jesus be the glory now and forever
For He is The Lord our heavenly treasure
So let's worship Him in truth
As we seek and find Him together

A thousand years are like a day ...





THE RESURRECTION AND THE LIFE
by Alan Ewing
based on John 11:25-28

Click To Play


I am the resurrection and the life, he who believes in me will live even though he dies, and whoever lives and believes in me will never die. Do you believe this?

Yes Lord, I believe that you are The Christ: The Son of God who was to come into the world.



copyright dewysumoz 2019